• Audio system:  

  • 100A, 3-phase isolated-ground transformer with 50A stove plug, 30A twist lock and multiple 15A u-ground plugs available on stage. No cam-lock tie in here.

• Touring show distro tie-in:

  • 100A 3-phase with cam-locks USL. Can be energized by house technician

  • 200A 3-phase with cam-locks USL. Local permit and electrician is required as regulated by BC Safety Authority. Contact KCT technical coordinator at least two weeks in advance if 200A service is required. Fees are charged to renter.

The stage is normally configured with a sectional apron which houses the PA system sub-woofer boxes.

However, the apron can be lowered to house floor level to allow for dancing or additional seating. Alternatively, the apron can be completely removed to create a sub-floor level orchestra pit. The floor of the pit is 5' 1" below stage level and can have an optional front wall. The usable space is 46’ by 9’6” at the center tapering to about 3’ at either side.

In either case the sub-woofers must be relocated to the stage or removed entirely.

Alterations to the Apron require a minimum 2 weeks’ notice and cost additional labor charges - typically $400 - $500.

Pianos:

• 9’ Steinway Concert Grand

• 9' Yamaha Concert Grand

• 5’ Willis Baby Grand (in lobby only)

• Piano tuning is recommended and available upon request. Only the designated KCT piano tuner is permitted to tune KCT pianos and two-week notice is required. Tuning charges are billed to the client.

Risers:

• Eight 4' x 8' Wenger-style decks are dedicated to main stage. Four more 4' x 8’ decks belong to the Black Box but may be available on mainstage if requested in advance.

• 8", 16", 24", and 32" legs and 16" and 24" skirts are available

• Four Wenger 3-step choral risers with guardrails

Ladders & Lifts:

• Various step ladders up to 10’

• Genie AWP 40’ single person lift

• Genie GR-15, single person lift, 15’ platform height,self-powered

Lifts are operated by the house technician or lift-certified personnel only.

FOH & monitor consoles: Avid Venue SC48

• 2 x SC48 has built in processing and effects 48 local inputs and 16 outputs
• FOH console is located at back of room, ramp access from loading bay, unobstructed view, no seat kills

Main snake:

• Radial 48 x 10 balanced XLR, located at stage-left, 48x 10 split is available

Sub-snakes:

• Radial 48 x 10 balanced XLR - 60’
• Radial 8 channel -75’
• Yorkville 16 x 4 channel – 60’
• Cable Factory 16 channel – 50’
• Cable Factory 16 channel – 75’

House PA

D&B Audio:

The Main Arrays are flown 8 boxes per side. Each side consists of 6 x Y8 and 2 x Y12

• 12 x D&B Y8
• 4 x D&B Y12
• 6 x D&B VSubs under the stage apron
• 6 x D&B E8 fill speakers on downstage lip
• All Powered by D&B 30D Power Amps

Stage Monitors:

• 10 x Turbosound TFM-560, 8 mixes bi-amped with Turbosound DP-50 Amps
• 2 x Meyer UM-100p (downstage side wash)
• 2 x D&B Y10P (flown midstage side wash) powered in stereo D&B 30D
• 2 x Turbosound TSW218 Subs powered by Turbosound DP-50

Other wedges available:

• 2 x EAW SM200
• 3 x EAW SM 122e
• 1 x EAW 159zi drum wedge
• 1 x Meyer USW - 1P Subwoofer

Other PA equipment:

• 2 x Meyer UPA-1p
• 1 x Meyer USW-1P subwoofer 

Mic Stands: 

• 20 tall K&M Boom stands

• 12 short K&M Boom stands

• 6 straight stand - round bases

• 6 desktop stands

Other Consoles:

• Behringer AX-12 digital mixer, six XLR & six ¼” inputs, 4 aux returns, IPad controlled.
• Allen & Heath 16x4 analogue